Readers, yesterday was probably one of the best nights of my life. The combination of great food and friends, excellent conversation, amazing costumes, and fun historic dancing made the Spring Ball probably my favorite reenactment to date! I now understand what all those gaggles of giggly girls in Jane Austen novels are so excited about!
Anyways, I did finish the dress (and thank you all so much for your lovely comments while I was working on it this week!), although I was sewing up to about a half hour before I left. Making a reproduction ballgown in a week while also working full-time is something I definitely do not reccommend. But, it came out so fabulously and fulfilled a personal sewing goal of mine – to make a ballgown.
By far, the most time-consuming thing was the bertha (which is the front swoopy thing on the bodice). I decided to make a tucked bertha, as I’d read that this was the most common style during the project. And since I got so many questions from the ladies last evening on how I made this (surprisingly, the guys were not interested in this, lol) I thought I would try my best to describe it, as in my mad rush to finish this thing, I forgot to take progress pictures. Anyways, I basically made a bodice facing piece that would go on the outside (those familiar with modern sewing techniques have, no doubt, encountered facings). I cut this out of cotton batiste, and then sewed rows and rows of bias strips of fabric to this. I then sewed lace around the edge, and finally, pinched the whole thing in the CF, so it looks like I have two swoops going on. This whole process is very similar to what Katherine did on her Eugenie project ballgown, which you can read more about here. The results are lovely, but very time consuming, and was the most labor-intensive part of the whole dress.
Now is the time when I must confess that this is not actual silk. I just couldn’t justify the expense of $20/yard silk taffeta for a dress I will probably wear once a year. Instead, this is a really good fake iridescent silk that – get this – only cost me $5 for all 6 yards of it. It was an amazing thrifted find last year, and the lace on the dress (6 yards @ $3/yard) cost more than the dress! With thread and notions added in, I probably spent around $30 total on this project. Not bad!
As for the accessories, I wore my grandmother’s pearl necklace (from 1943! Eep!) and the head decoration was made by one of the gals at the museum. I won it in January at the silent auction (when I knew I would be going to the ball) and the white and pink coordinate perfectly with the dress.
My plate also matched my dress, so of course we had to get a picture of that!
Anyways, I came home exhausted last evening and am still recovering today (the whole moving the clocks forward thing is defintely not helping!). My feet seem to be healing, they were quite sore from having danced almost every dance last evening. There were a shortage of gents (as there usually are at these types of events), so some of us gals had to pir up. Which inevitably led to more silliness and fun.
As for my next project? I’ll be working on a reproduction 1940s novelty dress, so skipping ahead about 100 years in terms of fashion history. Should be a fun little project, with way less fabric!